Abstract
Dans un contexte de menace d’un catholicisme triomphant, les années 1620 connaissent un fort engagement pamphlétaire des puritains, dirigé contre la politique pro-espagnole de Jacques VI/Ier. Elles révèlent l’affirmation d’un phénomène nouveau, d’un puritanisme politique qui adopte une stratégie offensive de communication par l’imprimé et par l’image.
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