Abstract

This article considers Louis XIV's purchase of Dunkirk from Charles II in 1662 as a case study in the interwoven histories of monarchy and empire. In France and England, proponents of absolutism sought to broaden definitions of conquest to encompass both diplomacy and commerce. It proved nearly impossible to bring the concept of buying or selling a town into congruence with grand dynastic designs. Analyzing diplomatic correspondence and royal history alongside an array of artistic representations, I contend, underscores the extent to which ideals of kingship collided with imperial and commercial concerns, as early modern states adapted to the realities of an interconnected seventeenth-century world.

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