Abstract
The relevance of the studied problem is defined by that role which the theater and the press of the Volga region province of the beginning of the XX century played in formation of a social and political position of the population of the region. The article reveals the place and a role of the creative intellectuals in society and its relation to revolutionary events in the country through newspaper journalism, on the example of M. Gorky's creativity. The research is purposed to show change of public consciousness in the province and the theater during revolution under the influence of various social and political forces this found the reflection in periodicals; and thus to promote formation of fuller picture of historical and cultural life of the country. Materials of article can be used in educational process, during creation of the generalizing works on history and cultural history of Russia, special courses, in educational work with children and youth, at adoption of administrative decisions in the welfare sphere.
Highlights
Theater in Russia - unique social institute by means of which achievements of spiritual heritage are transferred to the subsequent generations
The problems of culture and art which found reflection in journalism during the first Russian revolution are directly connected with a problem of relationship of the creative intellectuals and the power
During revolution actors proved and as citizens: it concerned refusal to participate in chernosotenny performances, and support of October events of 1905 when theaters of Samara, Saratov and Kazan stopped the performances, and participation in demonstrations during submission of plays of M
Summary
Theater in Russia - unique social institute by means of which achievements of spiritual heritage are transferred to the subsequent generations. The theater in Russia was of particular importance at the beginning of the XX century when it played an important role in cultural development, and in social and political life of the country. The Russian press of the beginning of the XX century noted that for Russia "plays and theaters ... At the same time theater-goers not in smaller or maybe more influenced theater, giving preference to those statements which in their eyes represented certain equivalents of political positions. As situation correlates "theater - public" time, the moments of social development, feature of troupe acted.
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