Abstract

espanolEl analisis de la construccion de un imaginario social sobre la representacion del genero femenino a traves de la publicidad televisiva resulta pertinente en Ecuador, pais con altos indices de femicidio y violencia contra la mujer. Este estudio tiene como objetivo analizar los estereotipos de genero presentes en los spots publicitarios difundidos por la television ecuatoriana durante 2017-2018, asi como las nuevas representaciones que existen en el discurso. La investigacion se realiza desde un paradigma cualitativo y el metodo del Analisis Critico del Discurso, para ello se seleccionaron un total de 40 spots de dos televisoras privadas y una publica. El estudio permitio apreciar nuevas representaciones de los roles y sus protagonistas, sin embargo, estas formas de decir se difuminan dentro del amplio entramado estereotipado que conforma la publicidad televisiva ecuatoriana, con una iconografia visual en la que priman sentimientos de inequidad hacia el genero femenino, por lo que se corrobora que el sexismo y los estereotipos de generos predominan en los espacios publicitarios de los medios seleccionados. Se concluye, que a traves de un lenguaje audiovisual connotativo y simbolico, se reproducen viejos esquemas y arquetipos, diferencias en las relaciones de poder, sociales, y el status social de cada genero. EnglishThe analysis of the construction of a social imaginary about the representation of the female gender through television advertising is relevant in Ecuador, a country with high rates of femicide and violence against women. This study aims to analyze the gender stereotypes present in the advertising spots broadcast on Ecuadorian television during 2017-2018, as well as the new representations that exist in the discourse. The research is carried out from a qualitative paradigm and the Critical Discourse Analysis method, for which a total of 40 spots were selected from two private television stations and one public. The study allowed us to appreciate new representations of the roles and their protagonists, however, these ways of saying are blurred within the broad stereotyped framework that makes up Ecuadorian television advertising, with a visual iconography in which feelings of inequity towards the female gender prevail. so it is corroborated that sexism and gender stereotypes predominate in the advertising spaces of the selected media. It is concluded that through a connotative and symbolic audiovisual language, old schemes and archetypes are reproduced, as well as differences in power and social relations, and the social status of each gender.

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