Abstract

This article discusses the emergence of a public LGBTQI culture in Sydney that both challenged hetero-normative philosophies and praxes of love and sexuality, and engaged with Christian urban theologies to give voice to alternative, queer-affirming forms of eros, agape, and philia. This case study is situated in the context of the problematic relationship between Christianity and the urban throughout history; the ideal Civitas Dei negated the real Civitas Terrena, faithful Jerusalem triumphed over decadent Sodom. Public theologies, initially formulated by Christians, were hijacked to expose tensions resulting from notions of “proper” and “improper” love being mapped onto urban spaces. Churches and other “official” structures represented planning in the service of institutional religion and heterosexual married love (a Civitas Dei), and the clean, modern city as eschatological ideal (the heavenly Jerusalem). The existence of ruins and “undesirable” places, temporary heterotopias where “unnatural” acts of love and sex took place, challenged this order (a Civitas Terrena or Sodom). We argue that public theologies, mainstream and fringe, play a vital creative role in the planning, regulation, and lived experience of the modern city of Sydney.

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