Abstract

Netflix and other transnational online video streaming services are disrupting long-established arrangements in national television systems around the world. In this paper we analyse how public service media (PSM) organisations (key purveyors of societal goals in broadcasting) are responding to the fast-growing popularity of these new services. Drawing on Philip Napoli’s framework for analysing strategic responses by established media to threats of competitive displacement by new media, we find that the three PSM organisations in our study exhibit commonalities. Their responses have tended to follow a particular evolution starting with different levels of complacency and resistance before settling into more coherent strategies revolving around efforts to differentiate PSM offerings, while also diversifying into activities, primarily across new platforms, that mimic SVoD approaches and probe production collaborations. Beyond these similarities, however, we also find that a range of contextual factors (including path-dependency, the role and status of PSM in each country, the degree of additional government support, cultural factors and market size) help explain nuances in strategic responses between our three cases.

Highlights

  • The arrival of Netflix and other transnational subscriber-funded video-on-demand services (SVoDs) is profoundly impacting national television industries

  • Public service media (PSM) organisations like the BBC in the UK, RAI in Italy and VRT in Flanders are among the ‘legacy’ TV players that are majorly affected by these developments (Raats and Jensen, 2020)

  • This study has shown that all PSMs in this sample exhibit commonalities in their responses, which accord with Napoli’s framework

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Summary

Introduction

The arrival of Netflix and other transnational subscriber-funded video-on-demand services (SVoDs) is profoundly impacting national television industries. RAI operates in a high-volume market and mainly produces content for domestic audiences an increasing number of series are being picked up or produced solely for global SVoDs. there are commonalities that are important to take into account when comparing PSM strategies: first, all three still account for a considerable national viewing share (over 30%); second, they all operate online streaming platforms; all three play a key role in sustaining national drama production. 25% of qualifying programmes in hours broadcast across PSM broadcast TV channels including all BBC channels, ITV1, Channel 4 and Five None apart from EU rules

66.7 Native: 360–400 Second language
Findings
Discussion and conclusion
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