Public Memory, Affect, and the Battle of Culloden: The Creation of Shared Emotional Memory through Two Exhibits at the Culloden Visitor Centre

Abstract

This essay applies Wood’s process model of emotional memory synchronization to better understand how public memory of the Battle of Culloden, an integral event in Scottish history, is created through two exhibits at the Culloden Visitor Centre. These exhibits create a shared experience by engaging audiences through immersive exhibits that utilize sensory elements. This use of immersive, sensory-laden, and emotion-provoking exhibits may be useful in the creation of public memory of historical events that did not happen within living memory.