Abstract

Drawing on Raphael Samuel's work on the construction of historical knowledge, this article argues that British militant suffrage feminists had a strong sense of their role in history. Once the vote was won, militants became the first public historians of their own suffrage history by collecting ‘relics’ of the campaign and commemorating suffrage events. The work of curators, especially at the Museum of London and National Library of Australia, Canberra, also enabled wider access to the movement's ephemera. Subsequent generations have ‘remembered’ suffrage in different ways, including depiction in fiction, film, local histories and the physical landscape. An exploration of such depictions might help us start to understand the continuing fascination with this aspect of women's history.

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