Abstract

Using Joseph Campbell’s aphorism “Myths are public dreams; dreams are private myths” as a pointing device, this essay explores the resilience and breadth of medieval literature as it incorporates into a single purview many perspectives that seem incongruous to the literary taste of later times. The argument maintains that the presence of a common myth to which the society generally adheres accounts for most essential differences between medieval and modern poetry, affecting not only the multiple ways in which the language functions but also the relationship of poet to idea and poem, and the vigorous interplay between poet and audience. The essay treats half a dozen Middle English lyrics, a poem by William Carlos Williams, and a fabiliau by Guerin.

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