Abstract
This article discusses Pu Sungling’s creative legacy as a classic example of medieval Chinese literature. The novel, more precisely, is the substance of form and should be considered within the framework of general theory. Small genres are more like coincidences, and no matter how interesting it is to study them, they remain limited by their nature without any theoretical consequences. The artistic level of some of them was so high that they deserved a worthy place in the history of Chinese literature.
Sign-in/Register to access full text options 
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callMore From: International Journal of Early Childhood Special Education
Disclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
