Abstract

Psychoanalysis is a clinical treatment approach for psychopathology. Sigmund Freud used it to treat his patients by interpreting dreams and unconscious desires. It was later applied to film as a psychoanalytic film theory Margolis (2013). Many film theorists and critics support this theory because cinema has an irrational relationship with the spectator's subconscious. Neither view nor Psychoanalytic film theory can describe the film spectator's unconscious Allen (1999). The fiery treatment of heroic booze and smoking moments in the Pan-Indian Film KGF 2 affected many viewers unconscious. These scenes include powerful temptations that are suppressed over the spectator's psyche's shadow archetypes (dark or hidden personality); a suitable symbolic order (Lacan) is required to unveil persona archetypes (mask or reveal character). The film requires psychological investigation. Although many theorists have contributed to psychoanalysis theory, the researcher favours Carl Jung's psychoanalytic cinema theory of archetypes and the collective unconscious. The researcher uses purposive sampling to select KGF-2 as the sample. Smoking and alcoholic scenes were analysed using qualitative and quantitative content analysis (duration of consumption, consuming scene description, the character consuming, and the sense that suppresses the consuming behaviour overshadow archetypes), and five fellow scholars participated in a focus group discussion to interpret those scenes (scene interpretation and capacity of consuming behavior). Finally, the outcome was assessed using shadow archetype variables (desire, violence, heroism, joy, power, and so on) that were suppressed by the film sequences.

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