Abstract
Modern media has led to changes in the scope, intensity and effectiveness of communication. The Internet medium, which offers almost unlimited dialogue and polylogue possibilities, has become an attractive place for provocation to be born and function. The provocative narrative not only inspires these processes, but also becomes as a result of such a genre modification. This article analyzes a provocative discourse, the Lithuanian version of the global movement MeToo, which promotes the publication of cases of sexual harassment: testimonies of women who have been sexually harassed, publications in the media discussing the issue, interviews with discourse participants, another type of comments. The MeToo discourse is characterized by a rhetorical aspect: the concept of provocation as an effective communication strategy is explored; the relationship of the provocative narrative to the genre category is discussed; characteristic rhetorical elements – invention, disposition, elocution – have been distinguished.
Highlights
Retorikos teorijoje skiriami loginiai ir retoriniai topai, kurie, būdami skirtingos prigimties, realizuojami skirtinguose diskurso lygmenyse; tačiau glaudžiai susiję
Prieiga: https://www.15min.lt/ AP – Akadės paslaptis: blogas prieš seksualinį priekabiavimą švietimo institucijose
Summary
Straipsnyje kaip provokatyvus diskursas analizuojamas pasaulinio judėjimo MeToo, skatinančio viešinti seksualinio priekabiavimo atvejus, lietuviškasis variantas – seksualinį priekabiavimą patyrusių moterų liudijimai, šį klausimą aptariančios publikacijos žiniasklaidoje, diskurso dalyvių interviu, komentarai. MeToo diskursas charakterizuojamas retoriniu aspektu: išskleidžiama provokacijos kaip paveikios komunikacijos strategijos samprata; aptartas provokatyvaus naratyvo santykis su žanro kategorija; išskirti būdingi retorinės invencijos, dispozicijos ir elokucijos dėmenys. Provokacija kaip žanras: retorinės MeToo diskurso apibrėžtys by a rhetorical aspect: the concept of provocation as an effective communication strategy is explored; the relationship of the provocative narrative to the genre category is discussed; characteristic rhetorical elements – invention, disposition, elocution – have been distinguished. Provokacija kaip žanras: retorinės MeToo diskurso apibrėžtys inspiruoja šiuos procesus, bet ir pats randasi kaip žanrinės modifikacijos rezultatas, kartu ir diskurso aktualumo, skaitomumo sąlyga. Kad šie kintamieji yra svarbus atskaitos taškas renkantis retorinės raiškos būdus ir priemones
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