Abstract

What becomes visible when we consider À la recherche du temps perdu from the vantage point of the beach? This article contends that Proust's beach resort, Balbec, stages a reconfiguration of social ritual and corporeal style. Balbec is both an enormous casino and the ‘springboard’ for a loosely scripted, habit-disrupting social choreography. In contrast to both the aristocratic salons of Paris and the bourgeois family nucleus that characterizes Combray, Proust's beach is an improvisatory space. As such, it facilitates place-based, contingent (rather than congenital) forms of queer movement and desire.

Full Text
Published version (Free)

Talk to us

Join us for a 30 min session where you can share your feedback and ask us any queries you have

Schedule a call