Protection of Buddhist structures under Emperor Tao-wu of the Northern Wei dynasty as a way of asserting political power

Abstract

The subject of the study is the analysis of the formation of Buddhism under the Northern Wei Dynasty. The object of the study is Buddhist construction projects as a way of asserting political power. The author examines in detail such aspects of the topic as the construction of a Buddhist pagoda, a hall on Mount Sumeru, Vulture Peak and the "Great Monastery" (Dasa). When the state of Northern Wei was formed at the end of the fourth century, Buddhism became extremely widespread in their empire. Imperial patronage of Buddhist society continued throughout the dynasty until its decline in the sixth century. Powerful images of rulers, alternative ideas about the centers of power and special ways of sponsoring public monuments came from the understanding of the rulers of Northern Wei of ancient India, which, in turn, were obtained from Indian missionaries, reports of Chinese pilgrims and Buddhist scriptures translated into Chinese. Construction projects, in particular, gave the rulers the opportunity to present themselves to the people in various mythological and historical figures. The main conclusions of the study are that Emperor Tao-wu created an image legitimizing his rule, based on Indian Buddhist symbols of power, and not on Chinese Confucian traditions of government. The association of pagodas, Vulture Peak with King Ashoka was still strong in the popular imagination, which Tao-wu could not help but take advantage of. The new Buddhist construction complexes were actually intended to demonstrate political dominance in the capital. The novelty of the study lies in the fact that the author showed Emperor Tao-wu portraying himself as mytho-historical Indian authority figures such as Indra, King Bimbisara, Emperor Ashoka and Vimalakirti to assert his imperial authority.