Abstract

This article uses Bodyguard to trace the ways that whiteness is represented in counter-terrorism TV and so draw the links between whiteness, counter-terrorism and culture. It argues that Bodyguard offers a redemptive narrative for British whiteness that recuperates and rearticulates a British white identity after/through the War on Terror. As such it belongs to a later genre of counter-terrorism TV shows that move on from, but nonetheless still propagate, the discursive foundations of the ongoing War on Terror. This reading of Bodyguard is itself important, as popular culture is a site where much of the British population made and continues to make sense of their relationship to the UK during the War on Terror, forging often unspoken ideas about whiteness. It affords the opportunity to draw out the connections between whiteness and counter-terrorism, connections that need further scholarly attention to fully understand the complex relationships between security and race.

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