Abstract

Ruth Marini’s creative process in performing Wanci Monologue by Imas Sobariah, was Ruth Marini’s attempt in exploring various stages of work or creativity in the role of Icih as the main character in Wanci Monologue. As a consequence of the singular characterization of the monologue, the subsequent search was directed at the specific creativity that Ruth Marini had done in transforming the Icih character to the role of several other figures as a result of Icih’s narrative of her past which later spawned tragic stories in her life. The search for this creative process was thus focused on the creative ways that Ruth Marini pursued in developing role play or acting, including the stimulants that supported the maximal acting of Ruth Marini in the Imas Sobariah’s Wanci Monologue.Stimulants that were excavated for the development of Ruth Marini’s acting was traced through various views of Ruth Marini works of art, especially Ruth Marini’s perspective on acting in a monologue. The conclusion of the views of art and acting would be preceded by exploring some of Ruth Marini’s works of art through previous performances to understand Ruth Marini’s contributions to her artistic enrichment process, specifically to the development of acting that was required in the Wanci Monologue by Imas Sobariah. Keywords: Monologue,art perspective, acting.

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