Prose Rhythm: A Theory of Proportional Distribution

Abstract

MAN'S PREOCCUPATION WITH RHYTH-with the beat of his own heart, the balanced movement of his feet in walking, the measured pound of ocean surf upon the shore, the predictable alternation of seasons-is surely older than history. Perhaps older than language. There is a natural progression from the primitive pound of the drum to dancing to poetry. In these forms of expression, the rhythmical principle is clear. But as we move into prose forms, the picture begins to blur, and it becomes more difficult to speak with authority. Through the years many have speculated on the principles of prose rhythm and have propounded a number of theories, but it has always been difficult to substantiate these theories because the