Abstract
In 1949 Salvatore Caronia Roberti published the volume Introduzione allo studio della composizione architettonica. It is a compendium of his own studies and research came together in his architecture, testifying to the close interweaving of theory and practice. Caronia Roberti was a student of Ernesto Basile, one of the leading exponents of Art Nouveau, a style in which proportions played a marginal place. He later broke away from the Master’s school to attempt a new path in which geometry and proportion constitute the core of his theoretical research. This study aims to highlights the organic nature of Caronia Roberti’s thought, between architectural history and representation, by restoring a little-known book to collective knowledge.
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