Abstract
The article reveals the interrelation and interdependence of F.M. Dostoevsky's prophetic intuitions with the peculiarities of methodology and, more broadly, the nature of the writer's artistic creativity. Comparative parallels are drawn between the artistic attitudes of Dostoevsky and Shakespeare in the reception of literary critics and philosophers in the early 20th century. This leads to the conclusion that Dostoevsky's prophetizm can be considered an expression of the spontaneous-individological principles in the representation of characters, the writer's orientation towards the representation not of a type , but of a Pushkin-like complex, contradictory individuality , which has its roots in the Shakespearean tradition.
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