Abstract
In this paper I shall describe briefly the background and setting of professional storytelling (naqqāli) in present-day Iran. Then I shall examine some aspects of how the craft of storytelling is transmitted, particularly with respect to how a young man becomes a storyteller and what aspects of storytelling are seen as important. Finally, I shall examine how this transmission relates to the way in which storytellers actually construct their performance.There are two separate, but related, aims in the paper. Through a comparison of the stories told and the literary works used as their source, I shall demonstrate that the Iranian national legend remains creative today. More generally, I shall demonstrate that the abstract values expressed as important to a craft may disregard those very elements which make a craftsman successful and which breathe life into the craft.
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