Abstract

February 08 2023 Products of Interest Author and Article Information Online Issn: 1531-5169 Print Issn: 0148-9267 © 2022 Massachusetts Institute of Technology2022Massachusetts Institute of Technology Computer Music Journal (2023) 45 (3): 86–100. https://doi.org/10.1162/comj_r_00612 Cite Icon Cite Permissions Share Icon Share Facebook Twitter LinkedIn MailTo Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Search Site Citation Products of Interest. Computer Music Journal 2023; 45 (3): 86–100. doi: https://doi.org/10.1162/comj_r_00612 Download citation file: Ris (Zotero) Reference Manager EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex toolbar search Search Dropdown Menu toolbar search search input Search input auto suggest filter your search All ContentAll JournalsComputer Music Journal Search Advanced Search The Zoom R20 is a standalone multitrack recorder, mixer, and editor in one (see Figure 1). It has six XLR inputs with 48-V phantom power available on four of them. There are also two combination microphone/line inputs, one of which is a Hi-Z instrument input. The audio connections are all located on the top panel for easy access. The R20 also has a built-in USB-C audio interface for connecting the recorder to a computer or other audio device. It supports up to eight inputs and four outputs in multitrack mode. Up to 16 tracks can be recorded, eight of them simultaneously. There are two banks of eight faders and gain knobs, as well as a master fader and transport section. The recorder also has a 4.3-in Figure 1.View largeDownload slideThe Zoom R20 multitrack recorder, mixer, and editor.Figure 1.View largeDownload slideThe Zoom R20... You do not currently have access to this content.

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