Abstract

This paper focuses on the codicological, paleographical and textual features of Latin Bible manuscripts produced in Italy during the thirteenth and fourteenth centuries and the way in which they were read. The relation between the physical appearance and contents of these codices and those of the so-called Paris Bible is also examined in order to understand the mechanisms underlying the diffusion of the latter in Italy. The analysis is limited to a group of little less than one hundred Bibles of northern, central and southern Italian origin, whose commissioners or first owners/users (mendicant and monastic orders, clergy and laymen alike) can be determined with reasonable certainty. Thus, it is possible to connect each manuscript to a specific context, purpose, and, often, way of reading. The research shows that to different degrees and with extremely few exceptions, all Bibles examined bear the features of a commercial, relatively standardized, and up-to-date book production. Differences, especially in f...

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