Abstract
Robert Wallace’s collection of essays, Producing Marginality, is a book to go back to again and again. It is deeply thought out, is built on a strong foundation of research, and is passionately committed. The positions Wallace maintains are bound to provoke long, hard thinking about the present state of theatre in Canada, the relation between theatre and political power and ideology, the relation between Quebec and the rest of Canada. It is frankly a polemic. Not only does Wallace make no claim to objectivity, he mounts an impressive argument against the very concept of objectivity and of universal critical values.
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