Abstract

Cedric Messina, producer of Play of the Month (1967-77), the BBC Television Shakespeare (1978-80), and others, was responsible for the majority of BBC television adaptations of theatrical plays for over twenty years. This article examines three Messina Outside Broadcast (OB) productions, The Little Minister (1975), As You Like It (1978) and Henry VIII (1979), to explain the practice and significance of OB drama. Messina believed that recording in romantic real-life locations (castles, forests, stately homes) could inspire visual pleasure for viewers, an approach based upon the simultaneous, but perhaps contradictory, representation of the decorative/spectacular, and the (‘newsreel’/’documentary’) real.

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