Abstract
Abstract This article examines multivocal Mongolian costumes to shed light on the performance and representation of Mongolian identities in China. In particular, it explores the promotion of Mongolian costumes in online media spaces, in commercial cultural studios, and at state-sponsored heritage events. The article argues that the discursive construction of authenticity and cultural hegemony overshadows and hierarchises heterogenous Mongolian cultures and identities. The article also finds that the meanings taken on by Mongolian costumes contest and go beyond those inscribed by the state. The study aims to improve our understanding of minority cultural transformation in post-Mao China and the agency of minority Mongols who reshape their evolving cultural forms.
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Disclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.