Abstract
The Audiovisual Producer – Concept and Legal Position The production of audiovisual forms is organisationally and economically complicated. The issues “inside” audiovisual work, as well as the huge costs of production and distribution, or the potential income from their dissemination in various fields of exploitation, may cause conflicts between authors, producers, and users. That is the reason why balancing these interests requires a rational intervention of the legislator. The aim of the considerations is to find an answer to the question about an audiovisual producer and their legal position in the light of legal acts and practice. There are very few opinions on this subject and the article aims to fill the existing cognitive gap. The research problem is presented by law regulations, using the formal and dogmatic method.
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