Abstract
This paper argues that new media studies is dominated by a particular empirical mode of research that overlooks the dynamic relationship between that which has emerged as an object, code or meaning and the conditions of possibility. The paper proposes a processual model for media theory that extends the current empirical paradigm into what Deleuze terms “radical empiricism.” New media aesthetics are considered in relation to systems theory in order to register the processual dimension of sensation. The paper concludes by suggesting that a politics of time is central to processual systems.
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