Abstract
The purpose of this paper is to give an example of the manner in which aesthetic criticism may also serve the needs of historical and philological criticism. As an example of procedure, a specific Old French prose romance is to be studied from an aesthetic as well as from an historical point of view. One main question will be raised with regard to each episode of the romance: “What is the purpose of this episode in the context of the narrative?” While the episodes have meaning in themselves, many episodes will acquire additional meaning from their position among the others. Consideration will be given the structure of the romance as a source for the understanding of the entire plot. This method of approach, the derivation of meaning from structure, may be said to follow a principle of aesthetic criticism. If the results obtained by such an approach seem acceptable, the method can be justified on aesthetic grounds. More difficult to settle, however, and the main concern of this inquiry, is the problem of whether or not such a method can lead to the finding of data valuable not only to the aesthetic critic but also to the historian and the philologist.
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