Problems in Analyzing Elements of Mass Culture: Notes on the Popular Song and Other Artistic Productions

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Previous articleNext article No AccessCommentary and DebateProblems in Analyzing Elements of Mass Culture: Notes on the Popular Song and Other Artistic ProductionsNorman K. DenzinNorman K. Denzin Search for more articles by this author PDFPDF PLUS Add to favoritesDownload CitationTrack CitationsPermissionsReprints Share onFacebookTwitterLinkedInRedditEmail SectionsMoreDetailsFiguresReferencesCited by American Journal of Sociology Volume 75, Number 6May, 1970 Article DOIhttps://doi.org/10.1086/224853 Views: 63Total views on this site Citations: 23Citations are reported from Crossref Copyright 1970 The University of ChicagoPDF download Crossref reports the following articles citing this article:Sevda CEYLAN DADAKOĞLU, Atilla ÖZDEMİR, Baran DADAKOĞLU, Gizem ÖZDEMİR Değerler Eğitiminde Alternatif Bir Aktarım Aracı Olarak Manga Ve Animelerin Kullanımı, Journal of Individual Differences in Education (Jun 2022).https://doi.org/10.47156/jide.1117656Tal Laor, Yair Galily The annual music charts: the communal musical taste mix in Israel, Israel Affairs 26, no.66 (Nov 2020): 928–959.https://doi.org/10.1080/13537121.2020.1832331JOHN PLATOFF John Lennon, "Revolution," and the Politics of Musical Reception, Journal of Musicology 22, no.22 (Apr 2005): 241–267.https://doi.org/10.1525/jm.2005.22.2.241Andy Bennett Hip hop am Main: the localization of rap music and hip hop culture, Media, Culture & Society 21, no.11 (Jan 1999): 77–91.https://doi.org/10.1177/016344399021001004Bruce K. Friesen Mapping Pleasure: Rock Music and Sociology: Adolescents and Their Music: If It's Too Loud, You're Too Old, Symbolic Interaction 18, no.33 (Aug 1995): 377–380.https://doi.org/10.1525/si.1995.18.3.377Gilbert B. Rodman Everyday I Write the Book: A Bibliography of (Mostly) Academic Work on Rock & Pop Music, Journal of Popular Music Studies 2, no.22 (Aug 2006): 17–50.https://doi.org/10.1111/j.1533-1598.1990.tb00062.xRay Pratt “Is a dream a lie if it don't come true, or is it something worse?”: A commentary on political implications of the Springsteen Phenomenon, Popular Music and Society 11, no.11 (Jan 1987): 51–74.https://doi.org/10.1080/03007768708591268Karen A. Saucier Healers and Heartbreakers: Images of Women and Men in Country Music, The Journal of Popular Culture 20, no.33 (Mar 2004): 147–166.https://doi.org/10.1111/j.0022-3840.1986.2003_147.xColleen Hyden, N. Jane McCandless Men and women as portrayed in the lyrics of contemporary music, Popular Music and Society 9, no.22 (Jul 2008): 19–26.https://doi.org/10.1080/03007768308591210George H. Lewis Towards a uses and gratifications approach: An examination of commitment and involvement in popular music 1, Popular Music and Society 8, no.11 (Jul 2008): 10–18.https://doi.org/10.1080/03007768108591173Ronald E. Rice The content of popular recordings 1, Popular Music and Society 7, no.33 (Jul 2008): 140–158.https://doi.org/10.1080/03007768008591158Richard D. Dixon Suggested scales for the measurement of musical involvement and genre tastes, Popular Music and Society 7, no.44 (Jul 2008): 223–244.https://doi.org/10.1080/03007768008591167George H. Lewis Bibliography, Current Sociology 26, no.33 (Jun 2016): 71–154.https://doi.org/10.1177/001139217802600304Patricia Freudiger, Elizabeth M. Almquist Male and female roles in the lyrics of three genres of contemporary music, Sex Roles 4, no.11 (Feb 1978): 51–65.https://doi.org/10.1007/BF00288376Patricia Freudiger Love lauded and love lamented: Men and women in popular music, Popular Music and Society 6, no.11 (Jul 2008): 1–10.https://doi.org/10.1080/03007767808591105Peter Hesbacher, Eric Simon, Bruce Anderson, David G. Berger “Substream” recordings: Some shifts in stature and alterations in song, Popular Music and Society 6, no.11 (Jul 2008): 11–26.https://doi.org/10.1080/03007767808591106Gary Alan Fine Humour and Communication: Discussion, (Jan 1977): 329–333.https://doi.org/10.1016/B978-0-08-021376-7.50065-6Peter Hesbacher, Nancy Clasby, H. Gerald Clasby, David G. Berger Solo female vocalists: Some shifts in stature and alterations in song, Popular Music and Society 5, no.55 (Jul 2008): 1–16.https://doi.org/10.1080/03007767708591093George H. Lewis Social class and cultural communication: An analysis of song lyrics, Popular Music and Society 5, no.55 (Jul 2008): 23–30.https://doi.org/10.1080/03007767708591095Ronald E. Anderson, Stephen G. Wieting Graphical Humor and the Measurement of Attitudinal Ambivalence, Communication Research 3, no.33 (Jul 1976): 311–326.https://doi.org/10.1177/009365027600300305Peter Hesbacher Contemporary popular music: Directions for further research, Popular Music and Society 2, no.44 (Sep 1973): 297–310.https://doi.org/10.1080/03007767308591021 James E. Veney , Anthony E. Crosby, Jr. , Jack Levin , Jack Roach , and Janet Roach Some Comments on Gans's "Positive Functions of Poverty" and on "The Famine in American Mass Communications Research", American Journal of Sociology 78, no.66 (Oct 2015): 1497–1513.https://doi.org/10.1086/225477 Paul M. Hirsch Processing Fads and Fashions: An Organization-Set Analysis of Cultural Industry Systems, American Journal of Sociology 77, no.44 (Oct 2015): 639–659.https://doi.org/10.1086/225192