Problems and countermeasures facing the study of the developmental history of Chinese music editing

Abstract

The term "music editing" first appeared in the music academia in the late 1980s, and music editing has been developed for more than 30 years since then. However, the current study of music editing in China seems to have entered a bottleneck, mainly in the lack of a masterpiece on the development of music editing, the lack of systematic research on the important representatives of music editing, the lack of excellent music editing talent training, etc., it is difficult to find a new breakthrough point. The current social and cultural communication and rich scientific and technological means have not only opened up a new research environment for the development of music editing, but also provided many research objects worthy of attention and discovery. While summarising the history of the development of Chinese music editing, we are looking for shortcomings, provoking thoughts, creating a unique approach, and constantly building awareness of problems, with a view to improving and perfecting the nature of the discipline and research scope of Chinese music editing.