Abstract

This article draws on previous empirical studies that have used methodological strategies such as think-alouds (verbal protocol analysis), computer-based digital data collection and video observations to explore the process of music composition in real-time. A paradigm of music composition as a form of problem solving was assumed. Three higher education students composed short pieces and, using the above data collection methods, outputs were mapped against theoretical models of creative thinking and a hypothetical model deriving from a previous longitudinal, four-year single-case study. The real-time tracking of the music composition process in the present study observed a linear cycle of problem-solving strategies and nonlinear, recursive musical structuring. The study indicates that the real-time data collection tools were useful in eliciting added understandings of cognition in music composition and further insight into the act of musical structuring at a macro and micro level.

Full Text
Paper version not known

Talk to us

Join us for a 30 min session where you can share your feedback and ask us any queries you have

Schedule a call

Disclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.