Abstract

AbstractDance/movement therapy (DMT) research requires creative and innovative thinking; this paper includes two parts demonstrating this. Part one describes and delves into the creative problem solving process undertaken over 2.5 years. Four main steps were followed towards developing an intervention session plan for a first-of-its-kind DMT study in treatment resistant depression: (i) Examining pre-existing knowledge: Reviewing insights gained from clinical practice and formal literature. (ii) Assessing the need for preliminary studies: This step demonstrates how to determine and navigate the potential need for preliminary studies in novel research. (iii) Integrating existing and new research: I discuss Watson’s (Watson, Sociological Research Online 25:66–83, 2020) braiding technique and how it may help integrate insights from steps one and two. (iv) Reviewing outputs: This includes examining the developed session plan by conducting a fidelity and biases check. Each step presents reflective questions that ultimately contributed towards protocol development. The questions listed may also be a beneficial guide to novice DMT researchers embarking on novel research.

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