Abstract
The end of summer, in France, marks the return of the literary season. Every year, hundreds of new books vie for the public’s attention. Then come the literary prizes—separating them, adjusting and dubbing them, and striving to guide the readers’ eyes towards such and such a rising value and the odd overlooked talent. The timetable of contemporary art is not unconnected. From the highly legitimate Lion d’Or of the Venice Biennale, awarded this year to Adrian Piper, to the famous Turner Prize,...
Full Text 
Sign-in/Register to access full text options
Sign-in/Register to access full text options 
Published version (
Free)
Free) 
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a call
