Abstract
Leahy's contribution was invited by the editors of this volume, which was conceived as part of an authoritative international series by Blackwell. The aim of the Companion is to extend discussion around the intersection between digital humanities and digital literature. It draws together essays on digitisation, digital archives, encoding languages, and digital poetics. Leahy's chapter draws on theories of visual arts (site specificity) and film studies (concrete cinema) and on his research on modes of reading (see Outputs 1 and 2) to develop a discussion of the genre of installed digital literature. Works by poets, visual artists, computer artists and filmmakers are brought into relation with some examples of works of digital literature intended to be experienced or engaged with spatially or in a particular site.
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