Abstract

Whether beauty is in the eye of the beholder or shared among individuals is a longstanding question in empirical aesthetics. By decomposing the variance structure of data for facial attractiveness, it has been previously shown that beauty evaluations comprise a similar amount of private and shared taste (Hönekopp, 2006). Employing the same methods, we found that, for abstract artworks, components that vary between individuals and relate to personal taste are particularly strong. Moreover, we instructed half of our participants to disregard their own taste and judge stimuli according to the taste of others instead. Ninety-five women rated 100 abstract artworks for liking and 100 faces for attractiveness. We found that the private taste proportion was much higher in abstract artworks, accounting for 75% of taste compared to 40% in the face condition. artworks were also less affected than faces by the instruction to rate according to others’ taste and therefore less susceptible to incorporation of external beauty standards. Together, our findings support the notion that art—and especially abstract art—crystallizes private taste.

Highlights

  • There is increasing awareness that beauty is a powerful aspect of our visual world

  • The private proportion was much higher in abstract artworks than in faces, accounting for about 75% of taste compared to 40%

  • We found that instructing the participants to rate the images according to the taste of others increased shared taste for faces, but less so for abstract artworks

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Summary

Introduction

Beauty attracts and binds attention (Leder et al, 2010), plays a large role in decisions regarding object design (Hekkert and Leder, 2008), and is pervasive in mating and social interactions (Rhodes, 2006). If the experience of beauty is driven by objective features, we would expect high agreement between persons and a high amount of shared taste. Evidence of common features influencing the beauty of faces (Langlois and Roggman, 1990; Rhodes, 2006), abstract patterns (Jacobsen and Höfel, 2003; Gartus and Leder, 2013), or object designs (Hekkert and Leder, 2008) indicates shared taste to at least some extent. It is recognized that people have diverging tastes in everyday aesthetic decisions

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