PRIORITY OF USING MUSICAL AESTHETIC COMPETENCE WHILE FORMING METHODS OF PUPILS IN EXTRACURRICULAR EDUCATION

Abstract

The article clarifies the nature and content of musical and aesthetic competence and, based on this, the basic principles of its formation in adolescents covered by system activities of the school education in Ukraine, which is regarded as a complementary to the secondary, and sometimes advancing. Music and aesthetic teens’ competence forms both in efforts of secondary school and adult education. The question: “What are the features’ principles of work in out-of-school institutions for the establishment of music and aesthetic competence of students of this age?”. The relevance of research caused by need in deeper theoretical understanding of various aspects of competence approach, as a basis for reforming the educational and upbringing process in modern conditions.The purpose of the article essence and content of principles methods that make up foundation methods of the educational process in out-of-school education, directed at the affirmation to musical and aesthetic competence of teens’ students.In foreign and domestic literature we meet a lot of definitions of competence (Bader R., Beh I., Bibik N., Hutorskoy A., Mertens D., Raven J., Savchenko O., Shelton A. etc.). Despite some differences in the meaning of this definition, we have fond also common features: ability, willingness to the subject effectively organize knowledge, abilities, skills, experience for setting and achieving goals. There are key competencies, including general cultural, which includes musical and aesthetic as one of the brunch. In our research, we follow the general approach to competence which defines the essence of "musical aesthetic competence" concept. The essence of the musical and aesthetic competence lies in its individual capacity, readiness and real opportunities to accept, integrate and experience the beauty of musical works, play (or create) it practical with understanding of the importance of this type of activity in the social and individual spheres of life, in different social relations.The principle of national focus in education including knowledge of Ukrainian folk songs, works of local composers, ability to perform it (singing or with the help of instrument), feel their beauty, bringing together with their nationality, and therefore with themselves. It helps to develop the ability to preserve their national identity, to understand music as an integral part of spirituality of the Ukrainian people. Ukraine is a country, which is home to several dozen ethnic groups, or so-called minorities. The Constitution of Ukraine declares that the country supports, creates conditions for the development of their national identity. Representatives of these peoples and ethnic groups should not feel reduced in their rights. Therefore, in areas where contact populated by national minorities in non-school institutions should be created special creative teams under national direction. At presence of choir, band, orchestra, etc., several participants of certain nationalities their national works should be included in repertoire. However, all teenagers, members of the creative teams must be able to sing in Ukrainian language, perform Ukrainian music to feel the citizens of Ukraine, to be part of Ukrainian nation, formed as a patriot for all ethnic homeland.