Abstract
U radu se analizira kip cara Augusta iz Nina (Aenona) s ogrnutim plaštem i frizurom tipa Prima Porta u kontekstu teze o preklesavanju iz izvorno Kaligulina portreta. Neslužbenu osudu (de facto damnatio memoriae) nad Kaligulinim likom dopustio je car Klaudije, te je uslijedio proces odstranjivanja službenih prikaza i intenzivna prerada njegovih kipova u klesarskim radionicama. Primjer u Enoni potvrda je prihvaćanja senatskih sankcija nad nepoćudnom carskom osobom, kao i iskaz visokog stupnja lojalnosti prema prvom rimskom caru.
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