Abstract
In the mental construction of the Alhambra, the observer mixes the visual representations, sensations and feelings produced by the perception of the monument in its relation with the Albaycin, Valle del Darro, Vega de Granada and Granada, which appear before him as harmonic parts of a single physical reality. From this point of view we propose a debate about the opportunity to configure an integrated and balanced scenario for the protection, conservation, use and aesthetic approach to these monumental, urban, rural and natural spaces that configure the territorial and cultural context linked to the Alhambra.
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