Abstract

The possibility of achieving experimentally controlled, non-vocal acoustic production in non-human primates is a key step to enable the testing of a number of hypotheses on primate behavior and cognition. However, no device or solution is currently available, with the use of sensors in non-human animals being almost exclusively devoted to applications in food industry and animal surveillance. Specifically, no device exists which simultaneously allows: (i) spontaneous production of sound or music by non-human animals via object manipulation, (ii) systematical recording of data sensed from these movements, (iii) the possibility to alter the acoustic feedback properties of the object using remote control. We present two prototypes we developed for application with chimpanzees (Pan troglodytes) which, while fulfilling the aforementioned requirements, allow to arbitrarily associate sounds to physical object movements. The prototypes differ in sensing technology, costs, intended use and construction requirements. One prototype uses four piezoelectric elements embedded between layers of Plexiglas and foam. Strain data is sent to a computer running Python through an Arduino board. A second prototype consists in a modified Wii Remote contained in a gum toy. Acceleration data is sent via Bluetooth to a computer running Max/MSP. We successfully pilot tested the first device with a group of chimpanzees. We foresee using these devices for a range of cognitive experiments.

Highlights

  • A total of 12 individuals voluntarily approached the device and interacted with it. Each of these chimpanzees spent between 6 s and 9 min in proximity of the device

  • All 12 chimpanzees who interacted with the device showed this behavior

  • Five out of the 12 chimpanzees interacting with the device used a tool to poke on the surface or between gaps of the prototype

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Summary

Introduction

The Need for Sensing Technologies in Cognitive Research. Humans, from their birth onwards, are characterized by a strong tendency to explore the space surrounding them [1]. An important part of this exploratory behavior consists in the feedback obtained, generally of acoustic and tactile nature [1,2]. Increase in computational power and low cost sensing devices encouraged the construction of projects linking movement and sound: movement sensing can trigger auditory feedback in several possible ways [3,4,5,6]. In the fields of human cognitive science and artistic performance, scientists and artists have pioneered an array of approaches differing in sensing technologies and purposes [5,7,8].

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