Abstract
ABSTRACT Comic books are important sites where norms related to gender, leadership, and democratic engagement are negotiated. In this essay, we examine two comic book depictions of women’s political leadership: Diana Prince/Wonder Woman’s stint as US president, published in 1944, and Barbara Gordon/Batgirl’s tenure as a member of US Congress, published between 1972 and 1980. We contrast Wonder Woman’s tale of democratic fragility and gendered conflict with a Batgirl narrative that promotes a more complex view of women’s political agency and subordinates superheroism to the strength of democratic community. We contend that Wonder Woman #7 reflects the fascist tendencies observed in other Golden Age comics and theorize Überfrau as a counterpart to Übermensch, rooted in an ostensible ethic of protection and authoritarian white femininity. Reading Wonder Woman #7 through the lens of the Überfrau reveals the contours of an antidemocratic white women’s authoritarianism that continues to resonate in twenty-first century politics. An antidote to the reactionary Überfrau is offered by Batgirl, who eschews the role of super savior and puts the responsibility for democratic health into voters’ hands. We conclude by examining how these contrasting visions of women’s political leadership are echoed by women politicians in contemporary political culture.
Published Version
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