Abstract
Prescriptive notation specifies means of execution rather than resultant configurations of pitch and rhythm. A focus on performative techniques influences the way in which the composer communicates through the medium of writing. In general, prescriptive notation points to a shift in the function of notation from representation to mediation. Consequently, advantages and disadvantages of prescriptive notation are distinct from those of descriptive notation (its standard counterpart). Western musical history provides many examples of the combined use of both practices. Prescriptive notation is discussed from two viewpoints: the distinction between prescriptive and descriptive notations, and the expressive character and function of prescriptive notation in contemporary music. Sonic and notational forms of expression in contemporary works for violin are examined, indicating how prescriptive notation unlocks creativity in areas unknown to conventional performance practice.
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