Prelude to an abdication

Abstract

From November 1652 until June 1654, an ensemble of Italian singers and musicians resided at the court of Queen Christina of Sweden, first in Stockholm and thereafter in Uppsala. They performed both secular music at her chambers and sacred music in the church, and also staged theatrical plays at the royal castle. This article presents new information about the recruitment process and the incentives behind it, and a reconstruction of the repertoire of the ensemble and the performance contexts for that repertoire. The ensemble was not an opera troup, as has repeteadly been asserted in the literature. Instead they were arguably primarily recruited to perform sacred music in a Catholic tradition. The headquarter of the Jesuit Society in Rom was even directly involved in the recruitment of the singers. Thus, the recruitment process went hand in hand with Christina’s plans to abdicate, convert to Catholicism and move to Rome, and must be interpreted as part of that process.