Abstract
This article investigates the potentials of the concept of soteriology in museology. It is claimed that modern museum politics and policy can be analyzed as a soteriology built around the idea that culture is a means to promote peace, and that it can offer salvation from the inhumane horrors of World War II. The UN in general, and UNESCO in particular, played key roles as soteriological institutions after WWII, akin to that of the modern nation-state in the Westphalian order after the so-called Wars of Religion of the 17th century. The soteriological element in the nation-state is the nation, in UNESCO it is culture and heritage. Building on this as a premise the text explores the museological potentials of the concept of soteriology.
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