Abstract
In 2011 I staged Waiting for Godot at the Occupy Wall Street Protest as part of my research into the performance history of this play in real-world crisis settings. The production resonated with earlier productions of the play in prisons, during wars, and after floods and raises the question: how does this classic text metamorphose when staged in non-traditional performance spaces? How does this performance illuminate something new about the play, and something new about the Occupy protest?
Full Text 
Sign-in/Register to access full text options
Sign-in/Register to access full text options 
Published version (
Free)
Free) 
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a call
