Abstract
The article deals with the aspects of filling the post-industrial heritage with innovative media art practices. On the example of actual foreign and domestic post-industrial locations, in particular, the activities of the experimental platform “Art Residence Carbon”, the outlined aspects are practically realized and analyzed in this article. It is emphasized that the demand for creativity causes strong competition between the cities that attract and inspire creative people to create individual or collective art projects. Modern information technologies provide new opportunities for communication, contribute to the spread of the activist movement in the urban environment. In this context, it is noted that the role of artistic practices that are a way of translation of historical experience, fixation of the present and projection of the future is significantly increasing. Modern creative practices based on the latest digital technologies go beyond the established spaces of museums, galleries, etc., and are implemented on different platforms of Internet social platforms and urban spaces. It has been proved that the latest artistic practices unite the creators and viewers of artistic works into a single whole, level the boundary between the subject and the object, and provide limitless possibilities of expression and representation. These processes are a sign of democratic society as well as an important component of urban identity. It is shown that the activist movement involves not only professional artists, but also a wide range of diverse communities that strive for creative self-realization. Experimental approach is the basis for their search, artistic understanding of contemporary problems. As a result, it is emphasized that urban spaces become a kind of art laboratories for festivals, forums, discussions, social connections, and art projects. In many countries the defining functions of the information society (cultural and artistic, office, commercial, entertainment, etc.) have found the ability to deploy in large territories and have begun to develop devastated industrial spaces.
Highlights
Modern tendencies of social development in the XX and XXI centuries are characterized by comprehensive globalization, high level of technological development and mass spread of digital technologies, which determine new directions in all spheres of life
It has been established that the potential of artistic development of post-industrial locations is much greater than their adaptation for shopping and entertainment centers, offices, lofts
Post-industrial locations are very suitable for the realization of various new forms of contemporary art and their mixing
Summary
Modern tendencies of social development in the XX and XXI centuries are characterized by comprehensive globalization, high level of technological development and mass spread of digital technologies, which determine new directions in all spheres of life. The processes of filling the spaces of post-industrial objects with experimental creative practices significantly contribute to solving the problem of attracting the “old prom” to the context of modern urban life, potentially very suitable for the deployment of the game of art with social realities. Article purpose: identify aspects of the reinterpretation of Ukraine's post-industrial heritage and explore tools for filling post-industrial locations with artistic practices
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