Abstract
This article presents a critical interpretation of Barbara Klicka’s Zdrój [ The Spa] (2019) within the framework of the Spatial Turn. The analysis examines the relationship between the subject and the medical spaces with the help of concepts like heterotopia, atopia, psychotopography as well as the author’s own concept of topopathography. The aim is to explore the impact of the designated sanatorium space on the patient’s identity.
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