Abstract

ABSTRACTThe causes, experience, and legacy of World War II internment is generally not well known nor understood. This ignorance may have tragic global consequences as some cite internment as a precedent for future decisions regarding immigrant populations. Archaeological items recovered from sites of internment are powerful touchstones for this muted history, connecting people and encouraging empathy. Inspired by a push toward public engagement in higher education and community curation in museums, the University of Denver Amache Project created the exhibit Connecting the Pieces: Dialogues on the Amache Archaeology Collection with items from a Japanese American internment camp. Both the process and the resulting exhibit focused on dialogue, critical reflection, and community interpretation. Conceived as a service learning component of an undergraduate anthropology class, the exhibit connected students to community partners with a stake in this history. After three iterations, the resulting exhibits have humanized the history for students and museum visitors and given individuals with a personal connection a chance to discuss a history so often silenced. This exhibit project serves as a model tested through repetition and suggests ways to encourage multivocality in archaeological interpretation.

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