Abstract

The Chinese Francophonie is an emerging branch of Francophone world literature. Compared to the traditional francophone literature, notably that of the sub-Saharan Africa, the Maghreb and the Caribbean, the Chinese Francophone literature has abandoned the writing context of colonial memory, and inherited the tradition of introduction and presentation of the Chinese culture, and intercultural reinterpretation, which was initiated by the field of French sinology. Such tradition has injected new vitality into the study of contemporary francophone literature.

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