Abstract

Postmodern culture is a far‐reaching term describing a range of activities, events, and perspectives relating to art, architecture, the humanities, and the social sciences beginning in the second half of the twentieth century. In contrast to modern culture, with its emphasis on social progress, coherence, and universality, postmodern culture represents instances of dramatic historical and ideological change in which modernist narratives of progress and social holism are viewed as incomplete, elastic, and contradictory. In conjunction with the end of modernist progress narratives, an insistence on coherence gives way to diversity and the dominance of universality is subverted by difference within a postmodern condition. Additionally, postmodern culture stands for more than the current state of society. Postmodern culture is characterized by the valuing of activities, events, and perspectives that emphasize the particular over the global or the fragment over the whole. This reversal of a modernist ideology necessitates a valuation of variation and flexibility in the cultural sphere. Primarily through the writings of Jean‐François Lyotard, whose seminal book The Postmodern Condition: A Report on Knowledge (1984) remains the definitive exposition of the term and its significance to society, postmodern culture has come to be identified with a radical critique of the relationship between the particular and the universal in art, culture, and politics.

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