Abstract
Abstract The self-elegy is considered a hyper-literary genre which provides the readers with a self-portrait of the poets, while also discussing their own poetics and literary works. This article aims to re-map the genre of self-elegiac writing in contemporary Italy by focusing on two recently published collections: Patrizia Cavalli’s Vita meravigliosa (2020) and Biancamaria Frabotta’s Nessuno veda nessuno (2022). Both collections play with the genre of self-elegiac writing by trying to redefine its boundaries: first, both authors problematize the gender perspective intrinsic to the elegy; second, Cavalli and Frabotta delve into some of the canonical references and the structure of the elegiac genre; third, they insert their elegiac discourse within a global literary community.
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
